poetry style

While , what is the relationship between his experience and the poetry style ?

他的经历与其诗歌风貌之间存在着何种关系？

Second , influence to poetry style .

再议易安词的风格其对五四新诗体式的影响，主要在散文诗体和小诗体上。

On the Imagic Concept Applying in the Ancient poetry Style Theory

谈形象性概念在古代诗歌风格论中的运用

Part Two : mainly discuss Xu Wei 's aesthetic features of his poetry style .

第二部分，主要论述了徐渭诗歌风格的审美取向。

In her recent works , her poems show different poetry style of meteorological , increasingly mature .

综观她近期的创作，她的诗歌显示出与以前不同的诗歌气象，风格日益成熟。

Chapter IV summarizes his poetry style .

第四章总结李怀民诗歌的艺术风格。

Next , narrates and comments the Xu ye of poetry style .

其次，评述徐夜诗歌风格。

Poetry style can be summarized as the main body of both , generous dismal .

诗歌风格主要可以概括为众体兼备、慷慨悲凉。

On odd poets ' acceptance of Bao Zhao based on Li He 's poetry style

从李贺诗歌风格看怪奇派诗人对鲍照的接受

The Difficulty in Construction of Poetry Style Caused by the One-sided Understanding by New Poets on the Ancient Chinese Poems

论新诗人与古代汉诗及诗体建设

Discussion on the Function of Ci and Qu as an Auxiliary Poetry Style of Metrical Poem

论词与曲作为格律诗的辅助诗体的作用

His old style poem , which by the scholars , form a unique prevailing kind of poetry style at that time .

他的诗，气格高古，为士流所敬慕，而且在当时形成了一种独特的诗风。

The special literature phenomenon of late-Tang poetry style in the poems of Song Dynasty is an embodiment of this influence .

宋诗中的晚唐诗风这一特殊文学现象即是这种影响的一个体现。

Plain and Bold Embodying Each Other - On TAO Yuan-ming 's Poetry Style from the Chrysanthemum Image

平淡中见豪放豪放中蕴平淡&从陶诗中的菊花意象再议陶诗风格

Cao Erkan is an important poet in early Qing dynasty , who developed a school of his own in poetry style .

曹尔堪是清初一位重要词人，其词作风格在清初词坛独树一帜。

At last , recommending simply the succession of poets in Song Dynasty to the humorous poetry style of Han Yu .

最后简单论述了一下宋诗人对韩愈诙谐诗风的继承情况。

The article holds that the middle ancient poetry style development went through three stages and the Gong Ti poetry was the product of the third stage .

本文认为，中古诗风的发展经历了三个阶段，而宫体诗是第三个阶段的产物。

But give little concern to " formality " which is of great importance to Tang poetry style , and lack necessary theoretical construction and convincing .

但对唐诗格十分重视的形式化讨论，却关注不多，缺乏必要的理论建构。

Han Yu who is famous in the literary field world with his magnificent and weird poetry style was regarded as a pioneer .

其中，以雄奇险怪的诗歌特色著称文坛的韩愈就是这方面的开拓者。

Second , to analyze the changes of Metaphysical Poetry style from the spread of Buddhism and Taoism and the acceptance by the scholars .

其二，两晋佛、道传播与文人接受看玄言诗风变化。

Therefore , this paper will discuss the transformation of her poetry style transformation , adjust narrative poetry style from the late poet poetry and poetry image changes etc.

因此，本文将从诗人后期诗歌中叙述方式的转变、诗歌风格的调整和诗歌意象的一些变化等方面探讨诗人诗歌创作风格的转变。

In the research of Jia Dao , his unique poetry style has always been the focus that everybody has paid close attention to and the achievement is very good .

在对贾岛的研究中，其独特诗风历来是学界关注焦点，研究成果斐然。

But what Liu Xie and Zhong Rong meant by " Qing Jun " in poetry style is mainly alwfness .

但是刘勰、钟嵘所说的“清峻”，就诗风而言主要是“清高”的意思。

In the period of a supernatural dragon in Tang , it was exactly the crucial moment that politics and poetry style of Tang were making the transition .

唐中宗神龙（705-707）年间，正是初唐政治向盛唐政治转型、初唐诗风向盛唐诗风转变的关键时刻。

He not only inherited the poetry style of middle Tang Dynasty , but also exploited the style of Late-Tang , so his position can not be ignored .

项斯诗歌有对中唐诗风的继承，也有对晚唐诗歌的开拓，在晚唐诗坛上的地位是不容忽视的。

Section one , the evaluation of posterity and its forming reasons ; Section two , the succession of poets in Song Dynasty of the humorous poetry style of Han Yu .

第一节，后代对韩愈诙谐的评价及评价形成的原因；第二节，宋人对韩愈诙谐诗风的继承。

Secondly , the thesis points out that childhood recollection writings inherit and develop the tradition of " poems expressing wills " in ancient times , and participate in modern poetry style construction .

第二，本研究从文学发生源流上，指出回忆性童年书写是对古代诗言志传统的一种继承和发展，它参与着现代诗性文体的构建。

It is both a theoretical guidance for literary writing , and a profound transformation of traditional poetics and literary criticism . Therefore , Tang Dynasty poetry style theory has a profound literary research value and worthy of universal attention .

它既是对文学写作的理论指导，也是对传统诗学和文学批评研究的一次深刻转型。因此具有深刻的文论研究价值，应当受到普遍重视。

In this background , the poets in the stage of innovation have no longer sedulously choice some poetry style as before because of some political reasons . They exert themselves to discuss the esthetical feature of poetry .

在这种背景下，以王安石、苏轼、黄庭坚为代表的创新期诗人，不再像前期诗人那样，出于政治上的目的，刻意选择某种诗体，而是着力探讨诗歌自身的美学特色。

The conclusion additionally explains that Rilke 's objective and sober poetry style brings Chinese poets solemn and quiet , contemplating philosophic tendency , making a great change in artistic character and atheistic style of Chinese modern poetry .

结语部分补充说明了里尔克这种客观冷静的诗风给中国诗人带来静观、沉思和哲学化的倾向，使得中国现代诗歌的艺术品格和审美风貌发生深刻变化。